Low Man on Totem Pole

Results aren’t in yet, but it appears that Gravlax Hoonersby, Jr. has been unanimously voted Low Man on the Totem Pole.

I am not astounded by the ostensible recipient; I always knew Hoonersby had it in him. What amazes me is that the Totem Pole Society of Greater Lankenau created the award in the first place.

lowmantotempoleYou know how it is with awards. They are usually given out at some public gathering or ceremony, with the photographer from the Daily Yokel Gazette in attendance. A middle-aged man in a well-cut suit (or an elderly lady in a very ill-cut but expensive suit) is seen handing a trophy or plaque or large cardboard citation to someone, and that’s the lead photo on tomorrow’s newspaper.

Sometimes it’s a cop who’s getting the award, sometimes it’s one of the Boy Sprouts. Once, when I was covering the financial beat for the Winnetka Star-Mucilage, I saw a lady in full Scottish regalia receiving a scroll.

It was quite impressive. She had a tartan sash, and kilt, and plaid overseas cap. The works. A sporran too, I think, not that she needed one.

My guess was she was dressed that way because she had to go to a fancy-dress party right afterwards. She probably worked the award into her act, said she was playing the headmistress at awards day at a Scottish boarding school.

scottish-costume-awardI wonder how well that went over in Winnetka. There are lots of Scots in the North Shore area, but they’re not really your boarding-school types. Schoolteachers and electricians mainly, the kind of folks who think they’re lucky if their kid gets into New Trier West.

And as for that big certificate she received, I’ll bet she gave it away to some guy dressed as Syngman Rhee, and now this Rhee fellow, who is actually a CPA named Angus McGlamorhoochie, has the award for being Top Scottish Lady or whatever the thing says.

I missed the Midwestern love of plaques and trophies when the syndicate hired me and sent me east to Philadelphia. In the City of Brotherly Love they are very stingy with their awards. In fact, the only award I ever saw anybody ever get (apart from the annual newspapermen’s shindig, where everyone gets a prize) was for soft pretzels.

Pretzels in the Quaker City are quite unlike anything you’ve had anywhere else. Imagine some kneaded bread dough that’s been rolled into a figure-eight the length of a baby’s arm,  broiled a few minutes on both sides, misted with water and sprinkled with rock salt.

Actually that’s pretty difficult to imagine.

Pretzel_boys-1But what you end up with are  these soft, damp, salted ropes of dough, sold out of brown paper bags on every street corner in Center City. Everyone buys them. Not just one—they used to be a nickel, now they’re usually a dime—but three or four at a time! They come conjoined, like egg cartons. The salesman just breaks off a rack of four or five and you hand him your fifty-cent piece.

Speaking of Ben Franklin, they didn’t have soft pretzels in his day. In those days Philadelphia was famous for things like pepper-pot soup. And I think oatmeal. That’s why there’s an old Quaker on the Quaker Oats box!

Bet you didn’t know that!

Next week: All About Philadelphia and Soft Pretzels!

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Video tests

C’mon Get Happy, 1929, with Joe Frisco

Our friend David Sheean of Galena, Illinois writes that he is looking for information on and friends of the late Joe Frisco.

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If These Old Bones Could Talk!

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Quis autem vel eum iure reprehenderit qui in ea voluptate velit esse quam nihil molestiae consequatur, vel illum qui dolorem eum fugiat quo voluptas nulla pariatur?

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New Art Scene Chases Wildebeest

Great art has been made for decades on Manhattan’s Lower East Side (LES), but until recently it was generally shown north of 14th Street. In 2007 the city’s art establishment reopened the New Museum on The Bowery and put Massimiliano Gioni, who earned unprecedented acclaim as curator of this year’s Venice Biennale, in charge of the exhibitions. Today a ceaseless stream of gallery openings and a steady southeast migration out of Chelsea—from Lehmann Maupin to Thierry Goldberg—are creating a new arena for the arts. Herewith, a can’t-miss ten-stop tour.

A series of lofty but intimate rooms designed by Foster + Partners freshens up the tightly conceived program atSperone Westwater (think Tom Sachs, Bruce Nauman, Susan Rothenberg and Julian Schnabel) after 35 years in more conventional SoHo and Meatpacking District spaces. At 257 Bowery; speronewestwater.com.

Following a debut on the Upper East Side’s Museum Mile, Jeanne Greenberg Rohatyn opted for not one but two satellite spaces to present Salon 94’s ultra-contemporary shows featuring works by the likes of Paula Hayes, Laurie Simmons and Lorna Simpson. At 243 Bowery and 1 Freeman Alley; salon94.com.

Though it recalls a street-front railroad apartment, the unassuming Hudson, New York, transplant Callicoon Fine Arts boasts some lesser-known powerhouses such as Lebanese painter Etel Adnan. At 124 Forsyth St.; callicoonfinearts.com.

Elizabeth Denny’s eye for up-and-coming talent is on wide display at Denny Gallery (Amanda Valdez, in particular, is an artist to watch). The space is small and standard issue; the work is anything but. At 261 Broome St.; dennygallery.com.

Down the hallway of a generic Chinatown office building, Horton Gallery’s new space combines fluorescent lighting and a floor of 1820s cobblestones from the property’s former life as a brewery. At 55–59 Chrystie St., Ste. R106; hortongallery.com.

The internationally recognized gallery Lehmann Maupin, with outposts in Chelsea and Hong Kong, christened the LES with a zen-like space around the corner from the New Museum, featuring the likes of Tracey Emin and Juergen Teller. At 201 Chrystie St.; lehmannmaupin.com.

LES mainstay On Stellar Rays, which transformed its space into a dilapidated motel for a recent Maria Petschnig exhibition, specializes in visceral performance, video and installation art by an impressive roster of cage-rattling artists. At 133 Orchard St.; onstellarrays.com.

One of the area’s more established galleries, Lisa Cooley focuses on the kind of contemplative, minimal works that can—and should—hang in every home, like Erin Shirreff’s abstract, planetary photographs. At 107 Norfolk St.; lisa-cooley.com.

A favorite among critics, Thierry Goldberg moved from Brooklyn’s Williamsburg via Chelsea to a comfortable two-room space, where it continues to introduce global artists like Oded Hirsch, Jeffrey Kessel and Maya Bloch to the New York market. At 103 Norfolk St.; thierrygoldberg.com.

The soaring underground space at Lu Magnus is perfect for bold shows like the recent “Thanks,” an exhibition by Brooklyn artist Adam Parker Smith made up entirely of pilfered artworks. At 55 Hester St.; lumagnus.com.

The Art of Eating, Drinking and Shopping the LES

Caffe Vita: A perfect pre-gallery caffeine fix thanks to flawless, frothy cappuccinos and smooth, cold-brew ice coffee in summer. At 124 Ludlow St.; caffevita.com.

Schapiro’s: The Jewish-American cuisine is spot-on and served late; the bar is a triple threat of craft beer, classic cocktails and carefully chosen wines. At 120 Rivington St.; 212-533-6089.

Yunnan Kitchen: No General Tso’s chicken here: A taste of China’s Yunnan Province means chilled chrysanthemum salad and blistered pork belly. At 79 Clinton St.; 212-253-2527;yunnankitchen.com.

Maryam Nassir Zadeh: Equal parts Factory Girl and Lawrence of Arabia, this boutique culls adventurous pieces from the likes of Jacquemus and Jil Sander. At 123 Norfolk St.;mnzstore.com.

Self Edge: A temple of rare and raw Japanese-, Italian- and American-made denim as well as rugged handcrafted accessories. At 157 Orchard St.; selfedge.com.

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The True Story of St. Valentine

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New Terror Stalks Celeb Circuit

thisdowdyworld
ianstuartdowdyhalWord comes around how the structured depressives the apogee everyone knows. Why the nonce. By this time even LBJ knew the truth…
Elsewhere on Broadway…

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